Photo: Mallikarjun Katakol
Born in South India, the artist N. S. Harsha is currently active around the world. To mark his first exhibition in Japan entitled “N. S. Harsha: Charming Journey” (Mori Art Museum, February 4, 2017 – June 11, 2017), he took on the role of an ukiyo-e artist and worked with carvers and printers at The Adachi Institute of Woodcut Prints to create modern works of ukiyo-e.
N. S. Harsha is known for his unique use of color, which is filled with a sense of clarity and transparency. The original woodcut prints are a brilliant fusion of Mr. Harsha's original style and the distinct feel of woodcut prints that is born from traditional Japanese handcrafted paper and watercolors. We are pleased to introduce the collaborative works of Mr. Harsha, who reflects on traditional Indian culture to establish his own unique form of artistic expression, and the Adachi Institute, which strives to keep alive the traditional woodcut printing techniques of Japan.
Born 1969 in Mysuru, Karnataka in Southern India, N. S. Harsha continues to live and work in Mysuru. He received a Masters Degree in Painting in 1995 from the Maharaja Sayajirao (MS) University of Baroda [Vadodara]. The artist is a recipient of prestigious awards including the DAAD Scholarship (2012) and Artes Mundi Prize (2008).
Frame:50.0×92.5 cm
Mr. Harsha's unique color palette of vibrant and transparent colors and the distinct feel of traditional Japanese woodcut prints come together in this piece. The bashful monkey that is covering its eyes as it points to the sky with its other hand seems to be showing the direction that god is directing us to take.
Mr. Harsha's unique color palette of vibrant and transparent colors and the distinct feel of traditional Japanese woodcut prints come together in this piece. The bashful monkey that is covering its eyes as it points to the sky with its other hand seems to be showing the direction that god is directing us to take.
Mr. Harsha's unique color palette of vibrant and transparent colors and the distinct feel of traditional Japanese woodcut prints come together in this piece. The bashful monkey that is covering its eyes as it points to the sky with its other hand seems to be showing the direction that god is directing us to take.
As the title suggests, this piece called “The Raid” features an elephant knocking down orderly rows of chairs as he stomps forward. The elephant is believed to be an avatar of god in Mr. Harsha's home country of India. While lively and comical, the piece seems to depict the breakdown of order and the absurdity in the real world. The light and airy colors and the soft texture that are characteristic of woodcut prints bring out the pop feel and charm of the work.